Showing posts with label Christie Morgan. Show all posts
Showing posts with label Christie Morgan. Show all posts

18 December 2013

The Gold Factory's Gold Party


 Words: Saskia Edwards
Images: Jonathan Rae

All that glitters isn’t gold. But who cares when you’re drinking a cup of punch and enjoying some of Brisbane’s finest art and design? Friday’s Gold Party provided exactly that. It celebrated the brief opening of the Gold Factory pop-up store.

The shop is about showcasing Brisbane’s best emerging labels and artists. On show is work by Holly Ryan, Tiger Temple, Zoe Knight, Bette Ward, Jesse Olsen, Kalé, 1989's Tess Gard and Soot. It's located in Brisbane's Emporium centre in collaboration with optical boutique Eye Candy.

The Gold Factory is only open until the December 20 so get in while you can! Here’s how the night went.


(Pictured: Creations by 1989)
(Pictured: Artwork by Jesse Olsen)
(Pictured: Kalé Studios design)

Disclaimer (FULL DISCLOSURE: The author has personal relationships with Zoe Knight, Bette Ward and Jesse Olsen)

24 November 2013

Kalé Studio and Minimalist Design


(Pictured: Christie Morgan wearing Kalé)

Words: Saskia Edwards
Images: Jonathan Rae

Kalé - it’s not a by-product of the #cleaneating #cleanliving phenomenon that’s left Instagram swamped with pictures of emaciated-Lorna-Jane-clad-acai-consuming basic bitches.

In fact, it’s more like the minimalist creations of Donald Judd, Carl Andre and Sol LeWitt have been manifested in four-piece collection.

Brisbane’s Kalé (ka-leh) launched its first capsule collection Equilibrium at The Box this week. Kalé’s creations present a micro-range in an arctic palate accompanied by accessories, a variety of black cowhide leather totes, wallets and clutches.


Kalé maintains simplicity while injecting an athletic aesthetic – almost derivative of a gridiron jersey.

Co-founder Christie Morgan says Kalé is an exploration of austere design.

“We wanted to create a really small collection of garments and accessories focusing on Swedish minimalism,” she says.

Kalé is Australian made, but Christie says their production may move abroad.

“We do everything in house, so it's a good experience.

“But I think next time we'll definitely send it off shore.

“Because we've got a seamstress at the moment and she's just flat out designing all of our stuff in house.”

In the future, Christie says Kalé is looking to architecture and interiors for influence. I imagine with the same minimal glory of Rick Owens and Michèle Lamy’s furniture pieces.

For now, Kalé exists as a refreshing rejection of gaudy 50+ piece collections; Polished, subtle, innovative.

(Pictured: Kalé black leather clutch)